In Marvel’s VisionQuest, a superpowered robot tries to better understand humanity by getting lost in elaborate, digital daydreams in which he and other artificial intelligence-powered beings live together in a home. The series is deeply fantastical, yet it plays with some of the ideas that have come to dominate the conversation about real-world generative artificial
BBC’s Blue Planet III is looking to prove its authenticity by leaving in the less-than-perfect shots. Previous incarnations of the nature series were defined by their gorgeous, crystal-clear footage that seemed almost too good to be real. But one dead giveaway of AI is when things look too polished and seamless. To counter that, Blue
It remains to be seen if people really want to watch vertical content on horizontal TV screens, but many filmmakers and creators were confident that their latest projects would play well at Alza — New York City’s first microdrama film festival. Founded by former Tribeca Festival chief operating officer Pete Torres, Alza, which took place
The Toronto International Film Festival is a place to go to see the future of film, but this year it also provided a glimpse at what is coming very soon in the realm of streaming. Four different streamers — Peacock, Netflix, Amazon, and AMC — all premiered early looks at upcoming horror-adjacent series that are
[Trump’s] FCC has threatened me, threatened our show, threatened our network, ABC, our affiliates, our local stations based on simple, traditional editorial decisions, guest bookings, it would seem they don’t like. And so, out of consideration for our local stations, especially our ABC affiliates in Texas who would have to deal with this nonsense, my
Spoilers follow for the first season of Dark Matter. First, a reminder of where the story left us. Based on the novel of the same name, Dark Matter follows Jason Dessen (Joel Edgerton), a physics professor in Chicago who is living a relatively normal and contented life with his artist wife Daniela (Jennifer Connelly) and
