More than six years after Ilya Khrzhanovsky premiered “DAU. Natasha” and “DAU. Degeneration” at the Berlin Film Festival — right before the global COVID lockdown — to a politely muted reception and limited distributor interest, you might think the moment has passed for another missive from the DAU Cinematic Universe. Turns out, however, that you
The return of Marco Bechis to filmmaking after 10 years is a welcome surprise, and the terrain he covers in “Back to Buenos Aires” is a familiar one for the veteran Chilean-Italian director who himself was caught up in the nightmare of Argentina’s military dictatorship. Set in the present, with frequent flashbacks, the film tells
Argentinian director Maria Aparicio’s drama “Sometimes Sadness, Sometimes Rebellion” — which mixes personal and political elements — has scored the Venice Days director’s award, the section’s top prize. “Sometimes Sadness, Sometimes Rebellion,” which marks Aparicio’s fourth feature, follows a woman named Eva who is passing through Madrid. “She spends her days there alone: she doesn’t know anyone
Machérie Ekwa Bahango wants Congo to be noticed by the industry. “Through my films, I would like Congo to be seen as part of the world. Not for the labels people stick on it, but for what it really is,” she tells Variety. “The subjects in my films are difficult, but they are issues that people
“Everything that follows is true. Exactly as we dreamed it,” reads the opening title of “Burgundy,” from award-winning documentary duo Michael Dweck and Gregory Kershaw, with an almost legible wink. It’s a sweet start to a sweet movie, but in retrospect it sounds a little defensive, as though the pair are aware that, especially compared
Israeli directors Yuval Abraham and Rachel Szor — who are two of the four co-directors of 2025’s Oscar-winning doc “No Other Land” — are at the Venice Film Festival with new hot-button documentary “NAZA.” Shot at night on the rooftops of Tel Aviv, the film shows “in detail the systems behind Israel’s calculated mass killing
