“You Can See Everything” might be the buzziest film of the moment, but before the Elizabeth Holmes-focused documentary made it to theaters, co-director Lance Oppenheim has admitted that fellow director Nathan Fielder was so skeptical about being able to weave a unique enough narrative that he negotiated a “kill switch” with A24 before they began
A24’s “You Can See Everything” has become one of the year’s biggest box office surprises, opening to a staggering $15.6 million in the U.S. and generating a frenzy of headlines, spoilers, memes and online chatter. But for audiences outside North America, catching Nathan Fielder’s three-hour documentary about disgraced Theranos founder Elizabeth Holmes — now expected
“You Can See Everything” accomplished a true box office feat, becoming the rare must-see documentary on the big screen. Director Nathan Fielder and Lance Oppenheim’s much-hyped look at Elizabeth Holmes has generated a massive $15 million from just 855 theaters. Those ticket sales were enough for second place behind another newcomer, Paramount’s video game adaptation
On my last morning in Telluride, halfway through breakfast at Butcher & Baker, Kenneth Branagh stopped at the table on his way to a Q&A for “Into the Breach,” the National Theatre documentary he produced. He had a story. A night earlier, he’d ridden the gondola up in pitch darkness with Willem Dafoe, Tom Hiddleston
