A nocturnal odyssey through the spectral streets of Tbilisi is conjured with mesmerizing effect in Georgian writer-director Ana Urushadze’s “Supporting Role.” On the heavy heels of Niaz (Dato Bakhtadze), a lumbering Georgian movie star whose glory days are behind him, Urushadze’s second feature plays like an old-school Jim Jarmusch joint — all existential wandering and weird,
So the play is the story of Kalki and the actors on stage, but it is also the story of a majority of Indian women for whom childcare is primarily their responsibility, all the drudgery they are expected to do and how the endless hours they spend raising the young are taken for granted. In