Netflix will expand its lineup of Lee Chang-dong films worldwide, following the Silver Lion (Grand Jury Prize) win for “Possible Love” at the Venice Film Festival. The expansion will let viewers everywhere explore titles including “Secret Sunshine” and “Peppermint Candy.” “Possible Love,” Lee’s first film in eight years, opens in South Korean theaters Sept. 23,
September 13, 2026 — 3:42pm Save You have reached your maximum number of saved items. Remove items from your saved list to add more. AAA There was widespread surprise when NAZA, an Israeli documentary that had a record-breaking 25-minute standing ovation at the 83rd Venice Film Festival, won the special jury prize at the awards
Belarusian director Andrei Kutsila’s “Letters from the Silenced Country,” a portrayal of contemporary Belarus seen through the lives of five individuals whose existence has been upended by state violence and political repression, is the winner of The Golden Globes Impact Prize for Documentary awarded in partnership with Artemis Rising Foundation at the Venice Film Festival. The
The Venice Film Festival is about to reveal its award winners, including the prestigious Golden Lion for best film. Last year, Jim Jarmusch took home the top prize for his family triptych “Father Mother Sister Brother,” while Benny Safdie won the Silver Lion for best director for his Dwayne Johnson-led “The Smashing Machine” and Kaouther
Argentinian director Maria Aparicio’s drama “Sometimes Sadness, Sometimes Rebellion” — which mixes personal and political elements — has scored the Venice Days director’s award, the section’s top prize. “Sometimes Sadness, Sometimes Rebellion,” which marks Aparicio’s fourth feature, follows a woman named Eva who is passing through Madrid. “She spends her days there alone: she doesn’t know anyone
Machérie Ekwa Bahango wants Congo to be noticed by the industry. “Through my films, I would like Congo to be seen as part of the world. Not for the labels people stick on it, but for what it really is,” she tells Variety. “The subjects in my films are difficult, but they are issues that people
