Would “Trainspotting” get financed today? Could Lynne Ramsay survive the jump from shorts to a first feature? And might “The Wicker Man,” once treated as a problem child, now look like exactly the kind of genre package buyers chase? That was the conceit of a lively session hosted by Wendy Mitchell, with Picturehouse’s creative director
We all have souls. That sentiment sits at the heart of “Pretty Babies,” Tyler-Marie Evans‘ feature debut, which world premieres Friday in competition at the Edinburgh Intl. Film Festival. The project attracted Jordan Wagner from Wagner Entertainment and also independent film icon Christine Vachon‘s Killer Films, who alongside star Ashley Benson took on producer roles.
