“Forgotten Spaceman,” the documentary short by BAFTA-nominated filmmaker Elham Ehsas that won the Leopard of Tomorrow (International Competition) award at Locarno’s Junior Jury Awards, has added Khan & Kumar Media and Prism Entertainment as executive producers ahead of its Toronto Film Festival premiere next month. The new executive producers are Sharib Khan and Vikas Kumar
Romanian director Florin Şerban’s “You Don’t Belong Here,” a somber study of anti-Roma racism in the country, has taken the Golden Lion for best film in the International Competition at the Locarno Film Festival, along with a special mention for its young star Teodor Butănescu. The film emerged victorious in a lineup of 17 features
The death-and-taxes certainty of Hong Sangsoo‘s filmography — comparable to Woody Allen’s prime career run in its regularity, consistency and recurrence of ideas and actors across a gently varying tonal spectrum — has lately been infused with some mild unpredictability. Earlier this year, his Berlinale premiere “The Day She Returns” continued an occasional experimental jag
“When you begin again, you repeat everything,” reflects experimental filmmaker Ana Vaz, thinking of her home country Brazil and the setting of her new feature, “Hanabi,” in Japan. “There’s a normalization of the state of catastrophe and disaster necessary for the system to perpetrate itself. It needs catastrophe in order to exist.” In the wake
Language and sounds trigger idyllic childhood recollections in Meritxell Colell Aparicio’s deeply personal, contemplative drama “Far From the Trees,” a handsome reverie blending 4K, Super16mm and archival footage to capture the different textures of memory. Following a Mexican sound artist and her assistant-guide in the Peruvian Amazon as they record nature and indigenous languages, the
Trying to find funding for “Down the Arm of God” proved to be a difficult five-year ordeal for lead star and co-writer Caleb Landry Jones — one that brought the “Three Billboards Outside Ebbing, Missouri” and “Get Out” actor to terms with the very real-world prejudices that his film grapples with. “Some people were worried
