Legendary actress, director and producer Phylicia Rashad was the guest speaker at the C-Suite Luncheon during the 24th annual Martha’s Vineyard African American Film Festival (MVAAFF). Started by Stephanie Tavares-Rance, who co-founded MVAAFF along with her husband, Floyd Rance, the luncheon and its accompanying summit uplifts, supports and connects executives, business owners and women leaders
A spinoff of “The Lincoln Lawyer” starring Cobie Smulders is in early development at Netflix. According to Deadline, which first reported news of the project, the series would center around Smulders reprising her “Lincoln Lawyer” role as Mickey Haller’s (Manuel Garcia Rulfo) half-sister, Artemisia “Emi” Finch. The character debuted in the Season 4 finale of
When renowned wildlife producer Mike Gunton approached “The Lion King” director Jon Favreau about collaborating on a documentary, the director, who had never made a doc, immediately said yes. It was 2022, and Gunton, an executive producer at BBC Studios Natural History Unit, wanted to “supersize” his “Dynasties” series about vulnerable or endangered species, and
Filmmaker Lilly Wachowski is working to get her next project, “The Hunted,” out of late-stage production. But the “Bound” and “Matrix” director says nobody in Hollywood wants to finance the thriller, which is budgeted at around $10 million, because of its trans representation. “People like it, but they really don’t want to make it because
When Kristen Welker was named host of NBC’s “Meet the Press” in 2023, she went back and re-watched pivotal episodes and interviews conducted by the show’s legendary moderator Tim Russert. Russert, who died in 2008, reinvented “Meet the Press” in 1991 when he moved away from the show’s original press conference format and turned it
Riz Ahmed spent 10 years bringing “Bait” to life. Part of that journey was driven by fear: “It’s a very scary project to make because it’s so personal,” he says. Some of the delay, he reflects, came from finding excuses or sabotaging the process because it felt so exposing. “Bait” is indeed Ahmed’s most vulnerable
