Superhero blockbuster “Spider-Man: Brand New Day” has delivered a huge opening at the South Korean box office during the weekend of Jul. 31–Aug. 2. According to data from KOBIS, the tracking service operated by the Korean Film Council, the web-slinging sequel generated a colossal $16.9 million from 2,252,930 admissions over the three-day frame across 2,409
Sony Pictures’ superhero spectacle “Spider-Man: Brand New Day” swung into the top spot at the mainland China box office during the July 31–Aug. 2 weekend, generating RMB463.5 million ($68.1 million over its three-day opening frame, according to Artisan Gateway. The tentpole project has grossed $121.3 million in the Middle Kingdom in its first five days
Universal’s hit release “The Odyssey” maintained its hold on the UK and Ireland box office, securing a second consecutive weekend at No. 1. Christopher Nolan’s epic spectacle added £11.8 million ($15.7 million) in its second run, marking a remarkably slight drop and bringing its domestic take to £35.3 million ($46.9 million) after 10 days of
Pearl Studio’s animated fantasy film “All Wishes Come True!” It held the top position at the mainland Chinese box office during the weekend of July 24-26, generating RMB 314.8 million ($46.3 million) in its second weekend of release. Directed by Mu Zhengyang, the film now has a cumulative total of $112.5 million. The family mythological
Christopher Nolan’s star-studded adaptation of “The Odyssey” has surpassed $600 million worldwide after just two weekends of release. The big-budget version of Homer’s 3,000-year-old epic, directed by Matt Damon as Greek King Odysseus, has generated $639.6 million worldwide, including $353.2 million at the international box office and $284.4 million domestically. It’s an astonishing turnout for
The UK and Ireland box office saw a huge shift when Universal’s “The Odyssey” captured the top spot, storming the market with a spectacular £12.5 million ($16.8 million) debut weekend. The performance recorded as Nolan’s second-largest opening frame on the market, far ahead of “Oppenheimer.” Driven by unprecedented screening across premium large formats, “The Odyssey”