The 31st Busan International Film Festival (BIFF) has unveiled the lineup and schedule for three of its fan-facing programs: Open Talk, Outdoor Stage Greeting and Talk-to-Talk. Held at the Busan Cinema Center Roof Theater and the HANMAC Smooooth Lounge, the sessions give audiences a chance to meet directors and cast members from a wide range
The 31st Busan International Film Festival (BIFF) has unveiled the lineup for its Master Class, Cine Class and Special Talk programs. Master Class brings together four directors reflecting on their creative work. Na Hong-Jin, who drew global attention this year with “Hope,” will discuss the roots of his creative vision. Filipino auteur Lav Diaz and
The 31st Busan International Film Festival (BIFF) has unveiled a guest lineup headlined by Isabelle Huppert, Maggie Gyllenhaal, Kore-eda Hirokazu, Fan Bingbing and Michelle Yeoh. Huppert brings her latest film, “All About Corinne,” to Busan audiences. Gyllenhaal makes her first visit to Korea with “Flesh Impact,” a project created to mark the centenary of Marilyn
The 31st Busan International Film Festival (BIFF) has unveiled a Special Program in Focus honoring the late Korean screen legend Ahn Sung-ki, while the festival’s market arm has named Thailand the first-ever recipient of a new top-tier country partnership. “Those Beautiful Years, Ahn Sung-ki” serves as the grand finale to the nationwide tributes paid to
The 31st Busan International Film Festival (BIFF) has selected “The Table: Day and Night,” directed by Kim Jong-kwan, as its opening film for the 2026 edition, marking the feature’s world premiere. The film tracks four couples moving through different stages of love inside the same cafe over the course of a summer and autumn, told
Michelle Yeoh has been named Asian Filmmaker of the Year at the 31st Busan International Film Festival (BIFF), an annual honor recognizing an Asian film professional or organization for exceptional contributions to the advancement of Asian cinema. Yeoh made her screen debut in Hong Kong action cinema with “Yes, Madam!” in 1985, followed by “Police