Cuba’s Jorge Perugorría, best known for his lead role in the iconic Oscar-nominated Cuban classic “Strawberry and Chocolate” (“Fresa y Chocolate”), has been cast in the upcoming film, “Hotel Nacional” which participates in the Iberseries & Platino Industria Co-Production and Financing Forum. He plays opposite Brazilian star Thiago Lacerda, (“Seven Women”) who plays a grieving
Paris-based The Party Film Sales, attached to Oscar-nominated “The Voice of Hind Rajab” and Cannes Un Certain Regard winner “Congo Boy,” has inked multiple deals on the French documentary “Tax Me (If You Can),” helmed by Thomas Lafarge (“The World According to Amazon,” “In the Murky Waters of BNP Paribas”). New pubcasters on board the
Sri Sri Ravi Shankar‘s World Forum For Art and Culture (WFAC) and Creativeland Studios have formalized a partnership to take “Krishnavataram,” a trilogy tracing the life of Hindu God Lord Krishna, to international audiences. The association was made official on Janmashtami, the Hindu festival marking the birth of Lord Krishna and one of the most
Watermelon Pictures has acquired “Everything Is Not OK,” a documentary from director Dev Benegal chronicling the life of artist Judith Blum Reddy. The film will stream exclusively on Watermelon+, the distributor’s streaming platform. The producing team pairs Benegal with Min(d) Studio’s Maya S. Patel and Neeraj Jain, while Annemarie Jacir (“Palestine 36”) has signed on
The idea for “The Difficult Bride” traces back to a story Rubaiyat Hossain heard as a 7 year old, visiting a Dhaka beauty parlor with her mother. “There was a bride who died there,” Hossain says. “Everyone knew this story from our generation, and I remember being seven, and even at that time, I had
Paris-based sales agency Alpha Violet has acquired international sales rights to “Prince,” the darkly funny feature from Uruguayan filmmaker Federico Borgia, ahead of its world premiere at the 70th BFI London Film Festival this October. Set against the decaying seaside luxury of Punta del Este in Uruguay, “Prince” explores class divisions, grief and domestic absurdity.