Predictions that Taylor Swift would make a cameo on “Saturday Night Live” with host Dakota Johnson came to fruition when the duo appeared together in the opening monologue. After Johnson joked about her failed relationships, she said “I have really good friends. They don’t judge me, they’re really supportive. Ladies and gentlemen, my literal therapist.”
How do influencers and content creators feel about getting roasted for using AI? Mostly unbothered. At least, that was the vibe at a conference for AI creators that I attended in Los Angeles this week. I joined hundreds of creators, marketers, brands, and AI enthusiasts on Tuesday at “AI Creator Day,” hosted by industry trade
“Primetime” is a box office overachiever, but the subject of the A24 film calls it a “complete work of fiction.” Lance Oppenheim’s movie centers on “To Catch a Predator,” the popular “Dateline” segment that ran from 2004 to 2007. In the show, an advocacy group with adult decoys posing as children would chat with online
“I enjoyed it, but I’m never doing this again.” Sofia Coppola utters those words toward the end of “Making Marie Antoinette,” a feature documentary about the making of her 2006 film “Marie Antoinette” from her late mother, Eleanor Coppola. Playing in the Spotlight section of the New York Film Festival, the fly-on-the-wall doc is compiled
Author Ali Hazelwood took to Instagram on Tuesday morning to reveal that “The Two-Body Problem,” a sequel to her 2021 novel “The Love Hypothesis,” hits shelves in February 2027. She also revealed that MRC is developing a film based on a new book for Amazon MGM Studios. “‘I wrote a sequel to The Love Hypothesis‘
The White House has spent days fiercely defending three taxpayer-funded advertisements that glorify President Donald Trump and are nearing at least $1.5 million in public spending, calling them public service announcements like those used in past administrations. “Don’t let the Fake News get away with their lies about our epic Public Service Announcements that have been running on tv,”
