“The Debut” ended London Film Festival on a high note Sunday night as director Jesse Eisenberg and star Julianne Moore gushed over each other to a packed audience at the Royal Festival Hall. “I mean, this movie stars my favorite person, Julianne Moore,” Eisenberg began as the duo came onstage to introduce the musical comedy.
On my last morning in Telluride, halfway through breakfast at Butcher & Baker, Kenneth Branagh stopped at the table on his way to a Q&A for “Into the Breach,” the National Theatre documentary he produced. He had a story. A night earlier, he’d ridden the gondola up in pitch darkness with Willem Dafoe, Tom Hiddleston
It’s rare these days to find comedy and humanity on the same plate — and even more rare to see comedy nuzzling up to mystery. (I don’t mean mystery as in crime-solving; I mean the mystery of existence.) But Jesse Eisenberg’s “The Debut,” a small-town-theater comedy driven by big ideas, is a funny and dizzying
Jesse Eisenberg has made his most significant debut to date. There is a delicious irony at the center of “The Debut,” Eisenberg’s third feature as a director, which world premiered at the Telluride Film Festival: it is a film about a nobody who attacks a bit part as if it were the role of a
The San Sebastián Film Festival has added six films to its 2026 Official Selection, including new works from Jesse Eisenberg, Fred Cavayé, Amanda Kernell and Gabriel Martins, alongside feature debuts from Ah Biao and Tony Vahl. The titles join 10 previously announced contenders and will compete for the Golden Shell at the festival’s 74th edition.
