Adaptations of Korean webtoons and web novels developed with CJ Group and a batch of new originals headline the 2027 vertical slate unveiled in Singapore on Wednesday by FlareFlow parent COL Group, V47 Entertainment and Virtue Asia. The lineup was presented at Inside Microdramas, which organizers described as an upfront without precedent. The Korean titles,
Acclaimed Asian filmmaker Peter Chan Ho-sun, director of “Comrades: Almost a Love Story” and “The Warlords,” said he will probably use AI in his filmmaking but “definitely not AIGC,” or AI-generated content, and that the two-hour feature will hold its ground against short-form and vertical dramas, at least in his lifetime. Speaking at an In
COL Group, Virtue Asia and V47 Entertainment have unveiled Inside Microdramas, billed as the first upfront event built around microdramas and the broader vertical entertainment business. The event will take place in Singapore on Oct. 27. The initiative is expected to draw senior executives from entertainment, advertising, tech, platforms and consumer brands. Inside Microdramas draws
There’s no doubt that 2026 will go down as a milestone year for the growth in popularity of vertical media content in the U.S. The sector is booming but still incredibly diffuse. That will change as microdramas and other formats proliferate and generate more advertising, subscription and in-app purchase revenue. Those are among the conclusions
India’s Epic Studios has partnered with Rusk Media Private Limited (RMPL) to produce 50 original vertical drama series, aiming to build the country’s largest library of owned vertical-drama intellectual property. The slate will span genres including mythology, drama, mystery, thriller and romance. The series will premiere on Alright! TV, Rusk Media’s platform for original vertical-drama
Amid a torrent of fan-friendly news about Disney projects across the media spectrum, Disney leadership took time on the first day of the three-day D23 fan fest weekend in Anaheim for panels that offered a behind the scenes look at the Mouse House’s business strategies and vision for driving growth in the streaming era. One