Boutique sales company Odd Slice Films has acquired worldwide rights to documentary “Concrete Land,” the debut feature of Palestinian-Jordanian director Asmahan Bkerat, ahead of its world premiere in Locarno Film Festival‘s Semaine de la Critique. Eight years in the making, “Concrete Land” follows one of the last Afro-Palestinian Bedouin families living on the outskirts of
Isabella Rossellini has received the Excellence Award at Locarno. “The prize I’m receiving tonight is for excellence, which is something I haven’t heard very often,” she said during the opening ceremony. “I’m very proud of it and, above all, so moved because my father received this back in 1948 for his film ‘Germany, Year Zero.’
Michelle Yeoh has been named Asian Filmmaker of the Year at the 31st Busan International Film Festival (BIFF), an annual honor recognizing an Asian film professional or organization for exceptional contributions to the advancement of Asian cinema. Yeoh made her screen debut in Hong Kong action cinema with “Yes, Madam!” in 1985, followed by “Police
Media Partners Asia projects that leading microdrama platform ReelShort will generate $1.05 billion in revenue in 2026, up 34%, and post its first meaningful profit at scale, according to a new report from the Singapore-based research firm. The report, titled “ReelShort / Crazy Maple Studio: Inside the US$1B Micro-Drama Machine,” covers ReelShort’s financial trajectory through
“Love Island USA” is officially the series of the summer. According to Peacock, Season 8 of the reality dating series has reached nearly 19 billion minutes watched to date, spanning 35 episodes released between June 2 and July 13 — making it the streamer’s most-watched original season ever. Divided by the season’s nearly 40-hour runtime,
2018’s “Super Troopers 2” wasn’t so much fan service as fan self-service. Kickstarted with nearly $5 million of crowdfunding after studios doubted the public appetite for a tardy sequel to the 2001 indie sleeper “Super Troopers,” it gave the people what they wanted and not much else: a familiar rehash of the first film’s broad
