Adobe is overhauling how editors interact with AI in its Premiere professional video editing software. Its new Generative Media tool makes it easier to generate video, sound effects, music, and soundscapes without ever leaving the project timeline. The generators themselves aren’t entirely new; the big change is how easily you can access them without breaking
During Naomi Osaka’s match against Anastasia Zakharova at this year’s US Open earlier this week, a gaggle of ring light-wielding influencers who were packed in a luxury suite became enough of a distraction that the umpire paused the match and repeatedly asked them to quiet down. Elsewhere in the USTA Billie Jean King National Tennis
If you are one of Ya Lili’s 183,000 followers on her “@findgadgetswithme” Instagram account, you may have seen this video she posted recently: A man stands on a sunny beach, dressed only in swim shorts, his back covered in dirt. “This won’t come off!” he shouts as he rubs futilely at the brown filth covering
Joseph Fink is the cocreator and cowriter of Welcome to Night Vale, arguably the most important fiction podcast ever. He’s also the creator of the noir podcast Unlicensed and Alice Isn’t Dead, which takes some of the conspiratorial cosmic horror of Night Vale and turns it into fodder for a more serious series about relationships,
As audio-focused generative tools and platforms have gotten more sophisticated, the internet has become increasingly filled with AI-generated music whose melodies and vocals are algorithmically derived from the work of human artists. While some of the people pumping out this kind of content immediately own up to using AI, others have denied using the technology
For years, action cameras have been defined by a very specific set of constraints. You get a microscopic sensor, a fixed ultra wide angle plastic lens, and extreme barrel distortion. While that formula works brilliantly when bolted to the front of a dirt bike or a surfboard, it has consistently hit a wall the moment
