Luca Guadagnino’s “Artificial” premiered at the New York Film Festival Monday night, and early reviews have members of the film press championing the Sam Altman-centered movie as a “provocative,” “visceral corporate drama” and the director’s “best film in a decade.” Next Best Picture editor-in-chief and critic Matt Neglia wrote that “Artificial” is “as entertaining as
I was a classical musician growing up, so I’m probably more disposed than most to like a movie set in the classical-music world. Then again, that could mean that I set a higher bar for authenticity when it comes to depicting it. There’s no doubt that the cinema’s reigning masterpiece of classical-music drama is “Tár”
If you love something, let it go, the adage advises, and maybe it will come back to you. Maybe, however, it will go and go and go and never come back, and that, so Yeşim Ustaoğlu’s increasingly lyrical and persuasive “What Remains” would have it, might be its own sort of reclamation. The slowly built,
The first thing to know about “Charlie Harper” is that it’s not, in fact, about someone called Charlie Harper. Charlie (Nick Robinson) and Harper (Emilia Jones) are a couple, meeting and parting at various stages across a five-year timeline; the title of this earnestly melancholy first feature by directing duo Mac Eldridge and Tom Dean
Lena Dunham is all business in first look images from upcoming Channel 4/A24 drama “It Gets Worse.” Dunham guest stars as Greta in the series, which was written, created by and stars Leo Reich. In the first look at the actor in character she is pictured sitting at a wooden desk with a CEO nameplate
Reed Van Dyk‘s first feature film “Atonement” explores the aftermath of an Iraq War tragedy. The film is inspired by the 2012 New Yorker article by Dexter Filkins. Speaking ahead of the film’s Toronto Film Festival premiere, Van Dyk recalls coming across the article many years ago. He says, “I wouldn’t have been able to
