Thomas Heise‘s final film, “Übergang,” arrives at the Locarno Film Festival as both a portrait of one of Germany’s most influential documentary filmmakers and the completion of a project left unfinished by his death. Premiering in the festival’s out of competition section, the film traces Heise’s life through newly shot footage, archival material and photographs,
A decade or so ago, the premise of apocalyptic thriller “The Last House” might have sounded a little more out there than it does now: A middle-class Seattle family wakes up one morning to find themselves sealed inside their house with no means of escape, a mysterious enforced house arrest that turns out to be
“My Father’s Kora” (“La Kora de Mon Père”), a Benin-Switzerland-Germany production, will have its world premiere Aug. 9 at Locarno’s Open Doors section, which has focused on 42 countries of the African continent since 2025. The film follows Souleymane Everston Adowo Freudenreich, an Afro-German trans man who travels to Dakar, Senegal, to repair his father’s
Morgan Freeman recently told The New York Times that he’s okay signing on for a movie with a mediocre script as long as the pay is good enough. “If somebody offers you a job, it’s very nice if they’re offering you also an exciting script, but in reality, two or three things come into play,”
Peter Katsis, a co-founder of the management companies the Firm and Prospect Park who over the course of a 35-year career managed an unusually wide wide variety of artists including Backstreet Boys, Korn, Limp Bizkit, Ice Cube, Jane’s Addiction Morrissey, Ministry and more, died Thursday due to complications from congestive heart failure, a rep confirms
Shamone! Record-breaking biopic “Michael” helped Lionsgate‘s movie division turn in a profit of $105 million — its best-ever result for a June quarter. Lionsgate’s Motion Picture segment revenue of $587.3 million more than doubled from the prior-year quarter. The segment profit was up from a nominal $2.4 million in the year-ago period. The company said
