“When you begin again, you repeat everything,” reflects experimental filmmaker Ana Vaz, thinking of her home country Brazil and the setting of her new feature, “Hanabi,” in Japan. “There’s a normalization of the state of catastrophe and disaster necessary for the system to perpetrate itself. It needs catastrophe in order to exist.” In the wake
For the opening night of the 24th annual Martha’s Vineyard African American Film Festival (MVAAFF), “Children of Blood and Bone” director Gina Prince-Bythewood and star Thuso Mbedu shared never-before-seen clips of the forthcoming African fantasy film and dished about making the movie. “Obviously films like this don’t get made very often,” Prince-Bythewood told “The View’s”
“My Father’s Kora” (“La Kora de Mon Père”), a Benin-Switzerland-Germany production, will have its world premiere Aug. 9 at Locarno’s Open Doors section, which has focused on 42 countries of the African continent since 2025. The film follows Souleymane Everston Adowo Freudenreich, an Afro-German trans man who travels to Dakar, Senegal, to repair his father’s
When Fidji Simo announced she was leavin g her role as one of the most senior members of OpenAI’s leadership team after a seven year battle with her chronic illness, Postural Orthostatic Tachycardia Syndrome, or POTS, the news felt unexpectedly personal. My little cousin has POTS, and it’s been devastating to witness. Simo’s post said